Infinite Calm feels like an echo of Port Clyde in Maine, with something of Stonington in its fishing stages, small boats and old-coast character. A broad inlet winds between green headlands, carrying the eye from the buildings in the foreground toward tiny houses on the distant shore. The water is so still that boats and wharves seem suspended between two skies, while a single working boat rests near the centre of the harbour.

Elizabeth created this place from remembered fragments rather than from a single view. Familiar colours, simple houses, open water and the comforting geometry of wharves have settled together into a harbour that feels both real and imagined. Infinite Calm invites us to pause within that stillness and remember how deeply our sense of peace is connected to the natural world.